Essays | Nineteenth and Twentieth Century Theatre in Asia

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Dutch East Indies

Australian Itinerant Theatres as Colonial Cultural Assimilation

Australian Itinerant Theatres as Colonial Cultural Assimilation

Australian Itinerant Theatres as Colonial Cultural Assimilation

The significance of theatre and charity in Hong Kong from the early to mid-20th Century

The significance of theatre and charity in Hong Kong from the early to mid-20th Century

The significance of theatre and charity in Hong Kong from the early to mid-20th Century

Missing Footprints: British musical comedy in colonial Hong Kong

Missing Footprints: British musical comedy in colonial Hong Kong

Missing Footprints: British musical comedy in colonial Hong Kong

The Unrecognisable Bard: Amalgamating the Colonizer and the Colonized Through Theatre

The Unrecognisable Bard: Amalgamating the Colonizer and the Colonized Through Theatre

The Unrecognisable Bard: Amalgamating the Colonizer and the Colonized Through Theatre

A Chinese Honeymoon—Fetishizing China on Stage

A Chinese Honeymoon—Fetishizing China on Stage

A Chinese Honeymoon—Fetishizing China on Stage

Theatre and Women’s Visibility in Nineteenth Century India

Theatre and Women’s Visibility in Nineteenth Century India

Theatre and Women’s Visibility in Nineteenth Century India

English Theatre as a Colonial Project in Hong Kong

English Theatre as a Colonial Project in Hong Kong

English Theatre as a Colonial Project in Hong Kong

Background Image:

'Wayang Orang Performance in 1884' by Kassian Céphas is in the Public Domain

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